a series of events presented by




Aperture

Austrian Cultural Forum New York

Bomb Magazine

Bookforum
Following Artforum’s practice in contemporary art, Bookforum provides coverage by and about the world’s best writers, including Germaine Greer, Salman Rushdie, Don DeLillo, Billy Collins, and Claire Messud, with contributions by such scholars as Morris Dickstein, Marjorie Perloff, Jeffrey Frank, Gershom Gorenberg, and Richard Wolin.
The pieces in Bookforum are about what’s possible in writing and publishing. That has made it a magazine worth waiting for, issue by issue, and a magazine where writers feel they’ve missed a bet if, issue by issue, they are not in its pages.—Greil Marcus
From fiction to philosophy, politics to the arts, each issue of Bookforum will captivate you. Learn from Pulitzer Prize—winning historian William S. McFeely how the US relinquished its commitment to equality, or why, according to leading Shakespeare biographer James Shapiro, the "Shakespeare Wars" never got started. And find out why Richard Powers may be our brainiest novelist.

Cabinet

The Cooper Union

The Cultural Services of the French Embassy

Cursor
Cursor is a platform that powers the future publishers of the world. Founded by Richard Nash, who was named one of Fifty Visionaries Changing Your World by the Utne Reader, Cursor reinvents the book publishing business as an ecosystem of cultural communities with a fully immersive range of print and online experiences. Its first instance, Red Lemonade, launches May 1st, 2011 with NBCC finalist Lynne Tillman's Someday This Will Be Funny, and then follows over 2011 with Vanessa Veselka's Zazen, Kio Stark's Follow Me Down and Matthew Battles The Sovereignties of Invention.

Deutsches Haus

Dissent

France Inter "5/7 BOULEVARD" by Philippe COLLIN from Monday to Friday, at 5 PM

French-American Foundation

French Institute Alliance Française (FIAF)

Goethe-Institut New York

Greenlight Bookstore

Happy Ending Music and Reading Series

Harper's Magazine

The Heyman Center for the Humanities

The Institute for Public Knowledge at New York University

Instituto Cervantes New York

The Invisible Dog Art Center
The Invisible Dog, a new three-story art center in Brooklyn, is an exuberant example of the integration of forward thinking with respectful care for the past. The art center, admittedly, has a leg up: its home came equipped with an irresistible history. Built in the late nineteenth century, the 30,000 square-foot factory went through a number of industrial incarnations before its owners struck gold in the 1970s with the “invisible dog” trick: a stiff leash and collar surrounding the empty space where a dog would be.
The Invisible Dog has been restored for safety and has been cleaned, but otherwise preserved intact. The rawness of the unfinished space is integral to The Invisible Dog's identity: Lucien Zayan, founder and director, wanted a place where artists could feel free to create and get inspired.
The ground floor, with its 14-foot ceilings, is used for public events, performances, educations programs, and exhibitions, produced by The Invisible Dog and guest curators from around the world.
The second floor is divided into art studios, all occupied by carefully selected artists.
The third floor, luminous and spacious, was designed by Anne Attal and is available for flexible rental by the general public for private events or exhibitions, performances, festival...
The basement space is for live performance

Jo's

LIVE from The New York Public Library

Les Subsistances
Les Subsistances is an international 'research laboratory’ dedicated to artistic creation and new forms of performing arts (dance, theatre, circus, etc.) as well as a multidisciplinary working space in which to work, experiment, create, and develop a dialogue with the audience.
They offer artists a space and a period of residency, and intellectual, administrative, technical and financial support relevant to each project.
They offer the public a space and a time in which to share artistic endeavours. They facilitate the exchange of ideas and thoughts, promote artistic practice and dialogues, and invent new forms of meetings by involving the audience in each and every step, through project development, debates, public rehearsals, creative WeekEnds and workshops with the artists.
www.les-subs.com

The Maison Française at Columbia

McNally Jackson Books

MoustacheBooks

n+1

The New School

Raison publique

Sciences Po - École des Arts Politiques

The Social Science Research Council

Tin House

Triple Canopy

UnionDocs
“We build too many walls and not enough bridges.” Isaac Newton